Overview
Biblioteca Riccardiana
Florence
Italy
RVF, Triumphi + Fame Ia
Description
295x220 mm; I + 171 fols.
paper; two scripts: mercantesca for main text and sixteenth-century hand for the annotations; Petrarch’s poems with one verse per line with annotations distributed on right next to the lines of the Triumphi.
<inc> cria damore pensieri acti eparola
fol. 1r: title page written by an eighteenth-century hand: Petrarca | e | Arrighetto;
fols. 1v-2v: blank;
fols. 3r-121v: RVF 9.12-365 in altered order (last poem is RVF 360 which stops at line 100) with dispersa ‘Donna miuene spesso nella mente’ (fol. 46r);
fols. 122r-127v: blank;
fols. 128r-155v: Triumphi with annotations (‘Incomicia il libro de trunfi del uenerabile poeta fiorentino mes[ser] francescho petrarcha’; order: Mortis II, Fame Ia, Amoris II, Amoris I, Amoris III, Amoris IV, Pudicitie (in a shortened and altered version, lines 1-100), Mortis I, Fame I, Fame II, Fame III, Temporis, Eternitatis);
fol. 155v: colophon: EXPLICIT;
fol. 156r: blank.
Other contents:
fol. 156v: first paragraph of [Arrigo da Settimello’s] ‘Trattato contro all’avversità della fortuna’ by the same hand who transcribed the annotations (<inc> Adiritamente e bene uiuere la natura medesima ci chiama; <exp> Alcuno e laltro sono aparecchiati rimedij);
fols. 157r-170v: books 1-4 of [Arrigo da Settimello’s] ‘Trattato contro all’avversità della fortuna’ with marginal annotation by the same hand that transcribed the main text (<inc> A diritamente ebene uiuere la natura medesma ci chiama; <exp> et di quelle cose che fanno igius[—] amico uosti [sic] comandamenti tu infermo atray uolentieri);
fols. 171r-171v: copy of paragraphs of [Arrigo da Settimello’s] ‘Trattato contro all’avversità della fortuna’ (<inc> Corrado cagione de la nostra salute perche peri; <exp> sopra ogni cosa uilissima et fi††da).
Material Copy
Biblioteca Riccardiana
Florence
Italy
The annotations on the Triumphi (more extensive in the first half) are philological in character and deal with variant readings placed next to the relevant lines. The variant is recorded as follows: ‘domita lalterezza delli iddei’: ‘Domita fu l’altezza degli Dei’ (Triumphus Pudicitie 2, fol. 142r). More rarely, the annotator adds missing lines.
At fol. 149r is a sketched ink portrait of ‘Cosimo’; few maniculae.
RVF begins at RVF 9.12 due to the loss of the initial fols.
CPR, 99-100; Ms.Ricc, 112; Ms.Ricc2, 26