[RVF and Triumphi – with annotations]

300x223 mm; III + 67 + III fols.

parchment; semi-gothic hand; Petrarch’s poems with one verse per line (in two columns per fol.), with annotations irregularly distributed on the sides; decorated initials.

<inc> Uoi chascoltatj [sic] i[n]rime sp[ar]se il suono (fol. 28v)

fols. 14v[i.e. 28]-56r[i.e. 111 (indicated as 110)]: RVF with annotations;
 
fol. 56r[i.e. 111 (indicated as 110)]: colophon: Explicit liber fragm[en]to[rum] [††]on[n]j fra[ncisci] petra[r]ce;
 
fols. 56r[i.e. 111 (indicated as 110)]-66v: Triumphi with annotations (‘Incipiunt triumphi eiusdem’, order: Amoris I, Amoris III, Amoris IV, Pudicitie, Mortis I, Mortis Ia, Mortis II, Fame Ia, Amoris II, Fame I, Fame II, Fame III, Temporis, Eternitatis);
 
fol. 67r-IIIv: blank.
 

Other contents:
 
fol. Ir: title page of Antonio da Tempo’s treatise ‘Dell’arte ritmica’ by a later hand;
 
fol. Iv: blank;
 
fol. IIr: some Latin scattered sentences by a fifteenth-century hand;
 
fol. IIv: note of possession by a different fifteenth-century mercantesca hand (‘D[omi]ne Manfredi de maldunt[††]j de Fortunio consiliario justitia’);
 
fol. IIIr: two notes in Italian, one in verse (<inc> Disp[er]so p[er] lo mondo pedegrino [sic]) and one in prose (<inc> Omiser zoh[†]e chal pozo p[††]e[†]i no[n] mi fai) by a different fifteenth-century cursive hand;
 
fol. IIIv: blank;
 
fols. 1r-13r[i.e. 25]: Antonio da Tempo’s treatise ‘Summa artis rithimici’;
 
fol. 13v: a poem in Italian (<inc> Achoromj che mi moio; <exp> p[er] certo i[n]tuto);
 
fol. 14r[i.e. 27]: a poem in Italian (<inc> A dio a dio fortuna; <exp> comandi a la tua rota);