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[RVF and Triumphi with Bruni’s life of Petrarch and index]

Overview

Current Location

Biblioteca Apostolica Vaticana
Vatican City
Vatican City

Shelfmark
Urb. Lat. 681
Date
fifteenth century
Mode of exegesis
Related to Petrarch's

RVF, Triumphi + Fame Ia and Mortis Ia

Description

Physical Description: Format

203x120 mm; 199 fols.

Physical Description: Textblock

parchment; humanistic script; Petrarch’s poems with one verse per line and prose texts; seven rectangular-box illuminations, nine architectural frames, and decorated initials.

Visual Elements
Title Page

<inc> A pie decolli oue labella uesta

Internal Description

fol. 1r: title by a sixteenth-century hand (‘Francisci Petrar[cae] Cantile[ne] & triu[m]phi’), followed by the word ‘Prose’ by a different hand and the ms. shelfmark by a later hand;
 
fols.1v-2v: blank;
 
fols. 3r-9v: alphabetical index of the first lines of RVF poems (under each letter of the alphabet, poems are listed in order of appearance);
 
fol. 10r: blank;
 
fol. 10v: a note by a later hand (‘Innomine iesu omne genu fletatur’);
 
fol. 11r: rectangular-box illumination with Apollo running towards Daphne who is about to be transformed into a laurel tree; above is a title (‘Francisci Petrarce poetae clarissimi sonector[um] & cantilenarum liber I incipit’); below the illumination is RVF 1;
 
fols. 11v-109r: RVF 2-263;
 
fols. 109v-150v: RVF 264-366;
 
fol. 150v: colophon: Francisci Petrarce poetae clarissimi triumphorum et cantilenarum liber foeliciter explicit;
 
fols. 151r-190r: Triumphi (order: Amoris I, Amoris III, Amoris IV, Amoris II, Pudicitie, Mortis Ia, Mortis I, Mortis II, Fame Ia, Fame I, Fame II, Fame III, Temporis, Eternitatis); each triumph is preceded by a rectangular-box illumination: Triumphus Amoris I (151r), Pudicitie (163v), Mortis I (167v), Fame I (177r), Temporis (184v), Eternitatis (187v);
 
fol. 190r: colophon: Francisci Petrarce poetae clarissimi Eternitatis triumphus sextus et ultimus explicit. Antonius Francisci sinibaldi filius q[uam] pulcrioribus potuit literis has c[h]artas exarauit;
 
fol. 190v: blank;
 
fols. 191r-197r: Bruni’s life of Petrarch (‘Comincia la vita dimesser Francescho Petrarcha composta per Messer Lionardo’, <inc> Francescho petrarca huomo di grande ingegnio & non diminore uirtu; <exp> maxime perche lauirtu è certa \ & \ lacorona taluolta per lieue giudicio chosi come achi non merita dare sipuote);
 
fol. 197r: colophon: Finisce de lauita dimesser francescho petrarcha composta permessere lionardi darezzo;
 
fol. 197r-197v: vernacular translation of Petrarch’s note on Laura (‘Lainfrascripta epistola fu trouata aroma inchasa dellabitatione dimesser francescho petrarcha inunsuo studiolo scripta disua propria mano’, <inc> Laura dipropria uirtu illustre & lungo tempo inlimei uersi confama honorata primamente alli ochi miei apparse nel primo tempo della mia adolescentia; <exp> lagratia didio sara facile ame agramente & uirilmente pensare lesuperflue cure delpresente tempo: & leuane speranza & linon aspettati fini);
 
fol. 197v: three-line Latin epitaph for Petrarch (‘Ildetto poeta è seppellito adarquate inlongbardia. Elsuo epitaphio e questo scripto’, <inc> Frigida francisci lapis hic tegit ossa petrarce).

Material Copy

Location

Biblioteca Apostolica Vaticana
Vatican City
Vatican City

Shelfmark
Urb. Lat. 681
Copy seen by
Giacomo
Comiati
Notes

Occasional marginal annotations by the same and a later hand either provide some missing lines, or give variant readings.
 
Decorated initials in gold for the first poem listed in the alphabetical index (fol. 3r), RVF 1 (fol. 11r), RVF 264 (fol. 109v), every first capitolo of the Triumphi (fols. 151r, 163v, 167v, 177r, 184v, 187v), Bruni’s life of Petrarch (fol. 191r), and Petrarch’s note on Laura (fol. 197r); all fols. with decorations (except fols. 3r and 197r) have an architectural frame; decorated initials for the other capitoli of the Triumphi. At the bottom of fol. 11r is the coat of arms of Cardinal Francesco Gonzaga.

Bibliography

Vattasso 1909, 91-94
 
***
 
Alidori Battaglia 2011, 18; Cannata 2001, 417; Cohen 2000, 315; De la Mare 1985a, I, 485 and 487; Garzelli 1985, 61 and 65; Guerrini Ferri 1986, 173; Guerrini Ferri 2006, 171, 182, 198, and 201; Hankins 1997, 197; Hofmann 2008, 10; Maddalo 2004, 250; Pulsoni 2007, 59, 63, 64, and 65.