Overview
Biblioteca Apostolica Vaticana
Vatican City
Vatican City
RVF, Triumphi + Fame Ia and Mortis Ia
Description
203x120 mm; 199 fols.
parchment; humanistic script; Petrarch’s poems with one verse per line and prose texts; seven rectangular-box illuminations, nine architectural frames, and decorated initials.
<inc> A pie decolli oue labella uesta
fol. 1r: title by a sixteenth-century hand (‘Francisci Petrar[cae] Cantile[ne] & triu[m]phi’), followed by the word ‘Prose’ by a different hand and the ms. shelfmark by a later hand;
fols.1v-2v: blank;
fols. 3r-9v: alphabetical index of the first lines of RVF poems (under each letter of the alphabet, poems are listed in order of appearance);
fol. 10r: blank;
fol. 10v: a note by a later hand (‘Innomine iesu omne genu fletatur’);
fol. 11r: rectangular-box illumination with Apollo running towards Daphne who is about to be transformed into a laurel tree; above is a title (‘Francisci Petrarce poetae clarissimi sonector[um] & cantilenarum liber I incipit’); below the illumination is RVF 1;
fols. 11v-109r: RVF 2-263;
fols. 109v-150v: RVF 264-366;
fol. 150v: colophon: Francisci Petrarce poetae clarissimi triumphorum et cantilenarum liber foeliciter explicit;
fols. 151r-190r: Triumphi (order: Amoris I, Amoris III, Amoris IV, Amoris II, Pudicitie, Mortis Ia, Mortis I, Mortis II, Fame Ia, Fame I, Fame II, Fame III, Temporis, Eternitatis); each triumph is preceded by a rectangular-box illumination: Triumphus Amoris I (151r), Pudicitie (163v), Mortis I (167v), Fame I (177r), Temporis (184v), Eternitatis (187v);
fol. 190r: colophon: Francisci Petrarce poetae clarissimi Eternitatis triumphus sextus et ultimus explicit. Antonius Francisci sinibaldi filius q[uam] pulcrioribus potuit literis has c[h]artas exarauit;
fol. 190v: blank;
fols. 191r-197r: Bruni’s life of Petrarch (‘Comincia la vita dimesser Francescho Petrarcha composta per Messer Lionardo’, <inc> Francescho petrarca huomo di grande ingegnio & non diminore uirtu; <exp> maxime perche lauirtu è certa \ & \ lacorona taluolta per lieue giudicio chosi come achi non merita dare sipuote);
fol. 197r: colophon: Finisce de lauita dimesser francescho petrarcha composta permessere lionardi darezzo;
fol. 197r-197v: vernacular translation of Petrarch’s note on Laura (‘Lainfrascripta epistola fu trouata aroma inchasa dellabitatione dimesser francescho petrarcha inunsuo studiolo scripta disua propria mano’, <inc> Laura dipropria uirtu illustre & lungo tempo inlimei uersi confama honorata primamente alli ochi miei apparse nel primo tempo della mia adolescentia; <exp> lagratia didio sara facile ame agramente & uirilmente pensare lesuperflue cure delpresente tempo: & leuane speranza & linon aspettati fini);
fol. 197v: three-line Latin epitaph for Petrarch (‘Ildetto poeta è seppellito adarquate inlongbardia. Elsuo epitaphio e questo scripto’, <inc> Frigida francisci lapis hic tegit ossa petrarce).
Material Copy
Biblioteca Apostolica Vaticana
Vatican City
Vatican City
Occasional marginal annotations by the same and a later hand either provide some missing lines, or give variant readings.
Decorated initials in gold for the first poem listed in the alphabetical index (fol. 3r), RVF 1 (fol. 11r), RVF 264 (fol. 109v), every first capitolo of the Triumphi (fols. 151r, 163v, 167v, 177r, 184v, 187v), Bruni’s life of Petrarch (fol. 191r), and Petrarch’s note on Laura (fol. 197r); all fols. with decorations (except fols. 3r and 197r) have an architectural frame; decorated initials for the other capitoli of the Triumphi. At the bottom of fol. 11r is the coat of arms of Cardinal Francesco Gonzaga.
Vattasso 1909, 91-94
***
Alidori Battaglia 2011, 18; Cannata 2001, 417; Cohen 2000, 315; De la Mare 1985a, I, 485 and 487; Garzelli 1985, 61 and 65; Guerrini Ferri 1986, 173; Guerrini Ferri 2006, 171, 182, 198, and 201; Hankins 1997, 197; Hofmann 2008, 10; Maddalo 2004, 250; Pulsoni 2007, 59, 63, 64, and 65.