Overview
Fondazione Giorgio Cini
Venice
Italy
RVF, Triumphi + Fame Ia and Mortis Ia
Description
228x145 mm; II + 256 + II fols.
parchment; humanistic script; Petrarch’s poems with one verse per line and prose texts; two architectural frames, historiated and decorated initials.
<inc> Tabula
fols. 1r-7v: alphabetical index of the first lines of RVF poems (under each letter of the alphabet, poems are listed in order of appearance) (‘Tabula’);
fols. 8r-10v: blank;
fol. 11r: title (‘Francisci Petrarce poetae clarissimi sonectorum liber foeliciter incipit’), followed by RVF 1;
fols. 11v-150v: RVF 2-366;
fol. 150v: colophon: Τελωσ;
fols. 151r-187r: Triumphi (‘Francisci Petrarce poetae clarissi[mi] deamore triumphus primus incipit’, order: Amoris I, Amoris III, Amoris II, Amoris IV, Pudicitie, Mortis Ia, Mortis I, Mortis II, Fame Ia, Fame I, Fame II, Fame III, Temporis, Eternitatis);
fols. 187v-190v: blank;
fols. 191r-196v: Leonardo Bruni’s life of Petrarch (‘Incipit vita Francisci Pe[trarcae] po[etae] clar[issimi] edita per Leonardum Arretinum virum cl[arissimum], <inc> Francesco petrarca huomo digrande ingegno & non diminor uirtu; <exp> maxime perche la uirtu è certa & lacorona taluolta perlieue giudicio cosi achi non lamerita come achi lamerita dare sipuote);
fols. 196v-197r: Petrarch’s note on Laura (‘[L]ainfrascripta ep[isto]la fu trouata aRoma incasa della habitatione di Messere Francesco Petrarca inun certo studiolo scripta disua mano’, <inc> Laura proprijs uirtutibus inlustris & meis longum celebrate carminibus; <exp> in expectatos exitus acriter ac uiriliter cogitanti);
fol. 197r-197v: vernacular translation of Petrarch’s note on Laura (‘Iluulgare della decta epistola’, <inc> [L]aura di proprie uirtu illustre & lungo tempo nemiei versi confama honorata; <exp> leuane speranze & gliincerti & uarij fini dellecose ripensando);
fols. 198r-199v: blank;
Material Copy
Fondazione Giorgio Cini
Venice
Italy
Scattered marginal annotations by the same hand either add a few missing lines, or correct some words; some maniculae.
Historiated initials in gold for RVF 1 showing Petrarch holding a book (fol. 11r), Triumphus Amoris I showing Cupid (fol. 151r), Triumphus Pudicitie showing three female figures in line (fol. 163v), Triumphus Mortis I showing a skeleton (fol. 166v), Triumphus Fame Ia showing a knight in armour (fol. 172v), Triumphus Temporis showing a winged sand clock (fol. 182r), and Triumphus Eternitatis showing a three-faced figure, as image of Trinity (fol. 184v); decorated initials in gold for all the other RVF poems and the other capitoli of the Triumphi; at fol. 11r and 151r is a richly decorated architectural frame.
MssCini, 205-09
***
Toesca 1958, 85