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[RVF and Triumphi with index]

Overview

Current Location

Biblioteca Apostolica Vaticana
Vatican City
Vatican City

Shelfmark
Chig. L.V.170
Creator
Date
fifteenth century
Mode of exegesis
Related to Petrarch's

RVF, Triumphi

Description

Physical Description: Format

250x161 mm; II + 184 fols.

Physical Description: Textblock

parchment; humanistic script; poems with one verse per line; one architectural frame; decorated initials.

Visual Elements
Title Page

‘INDICE DELLE POESIE DEL PETRARCA’

Internal Description

fols. 1r-7v: alphabetical index of the first lines of RVF poems (under each letter of the alphabet, poems are listed in order of appearance) (‘INDICE DELLE POESIE DEL PETRARCA’);
 
fol. 8r-8v: blank;
 
fols. 9r-106r: RVF 1-263;
 
fols. 106r-147v: RVF 264-366;
 
fol. 147v: one dispersa (ballad ‘Donna miuiene spesso nellamente’);
 
fols. 148r-183v: Triumphi (order: Mortis II, Fame Ia, Amoris II, Amoris I, Amoris III, Amoris IV, Pudicitie, Mortis I, Fame I, Fame II, Fame III, Temporis, Eternitatis);
 
fol. 183v: colophon: Explicit deo gratias. Qui scrixit scribat semper cum d[omi]no uiuat. Vivat in celis semp[er] cu[m] d[omi]no felix. MEMENTO MEI;
 
fol. 184r: scattered words, lines, names;
 
fol. 184v: eight-line satirical composition ‘Sia maledetto alcu[n] ch[e] se diuerta’; in the upper margin: single line ‘Amor piangea et io cu[n] luj tal uolta’.

Material Copy

Location

Biblioteca Apostolica Vaticana
Vatican City
Vatican City

Shelfmark
Chig. L.V.170
Copy seen by
Lorenzo
Sacchini
Notes

Fol. 9r has an architectural frame with floral decorations and small animals; at the bottom of the fol. there is an erased coat of arms. Initials in gold for RVF 1, 264 and every capitolo of the Triumphi; few maniculae.
 
At fol. 184r are various proverbs (‘femina nulla bona est: si est bona, no[n] est prefecta [sic], si est p[er]fecta no[n] est probatta [sic]’), partial quotations from literary works (‘che [sic] seruir adio conpurita de core uiue contento e saluato more’ [Feo Belcari’s laude ‘Chi serve a Dio con purità di core’, 1-2]), and two names, possibly indicating notes of possession (‘Jo[uanni] Bartolo mio d[i] Jacomo d[i] luesca [sic]’; ‘Jo[uanni] nicolo uardela’).

Bibliography

Narducci 1874, 18; Pellegrin 1976, 85-86
 
***
 
Guerrini Ferri 2006, 181, 210