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[RVF and Triumphi]

Overview

Current Location

Biblioteca Nazionale
Naples
Italy

Shelfmark
XIII. D 76
Creator
Date
fifteenth century
Mode of exegesis
Related to Petrarch's

RVF, Triumphi + Fame Ia

Description

Physical Description: Format

280x119 mm; III + 148 fols.

Physical Description: Textblock

paper; semi-gothic hand; Petrarch’s poems with one verse per line and prose texts; one architectural frame and decorated initials.

Visual Elements
Title Page

<inc> Uoi che ascultate

Internal Description

fols. 1r-108v: RVF;
 
fol. 108v: colophon: am[en];
 
fols. 108v-109v: five anonymous poems all written by the same hand (‘comes rubinj’): four sonnets (‘Sel mio leal seruir pelamia fede’, ‘Jo me credea che lioni ursi et draghi’, ‘Non credo che se troue de beltate’, and ‘Felice piramo piu chaltri no[n] crede’) and a poem in terza rima (‘Al folgorar de duj ochi lucenti’);
 
fol. 110r: Petrarch’s note on Laura (‘Incipiu[n]t dicta q[ue]dam d[omi]nj francisci petrarce poete flore[n]tinj rep[er]ta i[n] quoda[m] uirgilio i[n] papiensi Biblioteca manu p[ro]p[ri]a scripta’, <inc> Laurea p[ro]prijs uirtutib[us] illustris et meis longum celebrata carminib[us]; <exp> i[n] expectatos exitus acriter ac viril[ite]r cogita[n]t[i]’);
 
fol. 110r: extract from Petrarch’s Latin letter to Giacomo Colonna (Fam. II.9) (‘verba i[n] ep[isto]lia [sic] quodam ad Jacobum de colupua [sic] lomboriensem ep[iscop]um’, <inc> Quid ergo ais finxisse me mihi speciosam [sic] Lauree; <exp> tibi pallor tibi labor meus notus est);
 
fol. 110r-110v: eight-line Latin poem from Fam. XI.4 (‘Valle locus clausa toto mihi nullus i[n] orbe’);
 
fols. 110v-111r: five anonymous poems by the same hand (‘Jo vidi amor auzato [sic] et pien di doglia’, ‘Jo vegio ben chel mio stentar te joco’, ‘Poy che p[er] ben seruir porto tromento [sic]’, ‘Vegio madon[n]a el tuo voler cambiato’, and ‘Vidi duj lumi assaj piu chiarj chel sole’);
 
fol. 111v: blank;
 
fols. 112r-148v: Triumphi (order: Amoris I, Amoris III, Amoris IV, Pudicitie, Mortis I, Mortis II, Fame Ia, Amoris II, Fame I, Fame II, Fame III, Temporis, Eternitatis);
 
fol. 148v: a pen drawing (of two fighting warriors?);
 
fol. 148r: title (‘magi[stri] nicolaj g[†]lump[er]to’) followed by four sonnets by the same hand (‘Se la fortuna ta facto segnore’, ‘Colluj ch[e] bacte no[n] conta le bocte’, ‘Chi tucto vol quieij [sic] morir de rabia’, and ‘P[er] dire la verita se apicha gli huominj’);
 
fol. 148v: blank.

Material Copy

Location

Biblioteca Nazionale
Naples
Italy

Shelfmark
XIII. D 76
Copy seen by
Giacomo
Comiati
Notes

At fol. 78v, close to RVF 267, a marginal annotation by a different hand points out the beginning of the second part of RVF (‘seconda Parte In morte di M[adonna] Laura’); other scattered marginal annotations by a different hand either re-write some Petrarchan lines that might have been of interest to the annotator, or give variant readings; a few maniculae.
 
At fol. 49r-49v, RVF 136-138 have been crossed out by pen.
 
Decorated initial for RVF 1 (fol. 1r); decorated initial in gold for Triumphus Amoris I (fol. 112r); at fol. 1r is an architectural frame with a coat of arms at the bottom of the fol.

Bibliography

CPR, 256