Overview
Biblioteca Medicea Laurenziana
Florence
Italy
RVF, Triumphi + Mortis Ia, Fame Ia
Description
210x143 mm; II + II1 + 253 + II fols.
paper (except initial flyleaves I1-II1 in parchment); mercantesca (for fols. 1r-252v) and cursive humanistic script (for fols. 252v-253v); Petrarch’s poems with one verse per line and prose texts; decorated initials.
‘Chomincia illibro desonetti echanzone dimess[er] franciescho petrarcha epjmio [sic] poeta fiorentino’
fols. 1r-193v: RVF (‘Chomincia illibro desonetti echanzone dimess[er] franciescho petrarcha epjmio [sic] poeta fiorentino’);
fol. 193v: colophon: LAVS DEO;
fols. 194r-245v: Triumphi (‘Chomincia ilprimo chapitolo del trionfo damore dimess[er] franc[esc]o petrarcha poeta fiorentino’; order: Amoris I, Amoris III, Amoris IV, Amoris II, Pudicitie, Mortis Ia, Mortis I, Mortis II, Fame Ia, Fame I, Fame II, Fame III, Temporis, Eternitatis);
fol. 245v: colophon: finiti itrionfi deldetto mess[er] franc[esc]o LAVS.DEO.PAX.VIVIS.ET.GLA.DEFVNCTIS; followed by three-line Latin epitaph for Petrarch (‘Epitaffio dimess[er] franc[esc]o petrarcha sotterrato nelchastello darqa i[n]lombardia’; <inc> Frigida francisci lapis hic tegit ossa petrarcie) and a brief note: Morj adi xvij dimarzo 1374/1374;
fols. 246r-252v: alphabetical index of the first lines of RVF poems (under each letter of the alphabet, poems are listed in order of appearance);
fol. 252v: note on the number of sonnets and canzoni contained in the ms.;
followed by eight-line Latin poem from Fam. XI.4 (<inc> Valle locus clausa toto m[ihi] nullus inorbe);
fol. 253r-253v: extract from Petrarch’s Latin letter to Giacomo Colonna (Fam. II.9) (‘Fragm[e]ntum cuiusdam ep[isto]le eiusdem francisci petrarce ad Jacobum de colunna lomboriensem [sic] epi[scop]um’; <inc> Quid ergo ais finxisse me mihi speciosu[m] laure nome[n]);
fol. 253v: colophon: Scripti f[rancisci] p[etrarcae] inquodam codice.
Material Copy
Biblioteca Medicea Laurenziana
Florence
Italy
Very occasional annotations by the same hand that transcribed the main text providing either variant readings or missing lines.
At the bottom of fol. 1r is a note of possession: ‘d[i] Ant[onio] del migliore’.
Decorated initials in pen for RVF 1 (fol. 1r) and Triumphus Amoris I (fol. 194r). There is a running header for each RVF poem (with the specification of the metre) and each capitolo of the Triumphi.
Cat.Ashb., n° 1612
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Pasquini 1975, 224 (n. 1)