[Triumphi and selection of RVF poems]

217x143 mm; II + 61 +III fols.

parchment; humanistic script; Petrarch’s poems with one verse per line; decorated initials.

<inc> Neltempo che renuoua [sic] imie suspiri

fols. Ir-IIr: blank;
 
fol. IIv: Petrarch’s note on Laura by a later hand (<inc> Laurea [sic] proprijs uirtutib[us] illustris ac meis longu[m] celebra[—]; <exp> Hoc aute[m] ad acerba[m] rei memoria[m] amara quada[m] dulcednie [sic] hoc poctissim[um] loco scriber[e] visum e[st]);
 
fol. IIv: note on Petrarch’s death by the same later hand (‘Lo eloquentissimo poeta meser Francesco petrarcha mori in etate de Lxx anni nel mille ccclxxiiii adi xviiij deluglio: ad arquata in monte euoanei [sic] delongu da padoa migliaia dece’);
 
fols. 1r-35v: Triumphi (order: Amoris I, Amoris III, Amoris IV, Pudicitie, Mortis I, Mortis Ia, Mortis II, Fame Ia, Amoris II, Fame I, Fame II, Fame III, Temporis, Eternitatis);
 
fol. 35v: colophon: Amen. Finis;
 
fols. 36r-39r: RVF 359 and 366;
 
fols. 59v-60v: RVF 360.1-53 by a later different hand
 
 

Other contents:
 
fols. 39v-59v: fourteen canzoni by Dante (‘Cosi nel mio parlar uoglio[e]s[se]r aspro’, ‘Uoi ch[e]ntende[n]do elte[r]zo ciel mouete’, ‘Amor che nella mente me ragiona’, ‘Le dolci rime damor chi solea’, ‘Amor che muouj tuo [sic] uertu dacielo’, ‘Io sento si damor lagran possanza’, ‘Alpoco giorno & algran cerchi [sic] dombra’, ‘Amor tu uidi ben che questa donna’, ‘Io son uenuto alponto della rota’, ‘Emin cresce deme si malame[n]te’, ‘Poscia chamor deltucto ma lasciato’, ‘Dogla mi recha nello core ardire’, ‘La despectata mente che pur mi[r]a’, and ‘Amor daque conuie[n] purchio midogla’);
 
fol. 61r: a sonnet by anonymous author, ‘Dhe di[m]me cor mio non mio ma di colei’, and [Gregorio Roverbella’s] sonnet ‘Doue ne uai o miser tristo core’;
 
fol. 61v: blank;
 
fol. Ir-Iv: index of the contents of the ms. by a seventeenth-/eighteenth-century hand;
 
fol. IIr: another shorter index of the contents of the ms. by a different hand;
 
fol. IIv-IIIv: blank.