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[Anonymous Latin commentary on Triumphi]

Overview

Current Location

Biblioteca Comunale
Treviso
Italy

Shelfmark
52
Creator
Date
first half of the sixteenth century
Mode of exegesis
Related to Petrarch's

Triumphus Pudicitie, Mortis Ia, and Mortis I

Description

Physical Description: Format

213x132 mm; II + 53 [numbered both recto and verso, from 1 to 106] + II fols.

Physical Description: Textblock

paper; semi-gothic hand and humanistic script (various hands); prose text (within which quotations from Petrarch are underlined).

Title Page

(fol. 44r [indicated as fol. 87]) mediante [—]ulit s[†]tia[m] co[n]tra [—] [††] apud onarcu[m] pr[aeter] [—] uerbis usus e[st].

Internal Description

fols. 44r[=fol. 87]-49v[=fol. 98]: exegetical prose work in Latin on Triumphus Pudicitie, Mortis Ia, and Mortis I (<inc> mediante [—]ulit s[†]tia[m] co[n]tra [—] [††] apud onarcu[m] pr[aeter] [—] uerbis usus e[st]. et filia quoque ni[mi]s poss[—] te in libertatem uendico na[m] pudice q[uae] corupte [sic] pa[††] [††] maluit facta contio[n]e expulsi sunt dece[m] uiri; <exp> Dubitatio cur potius istas q[uae] Julia[m]: Portiam. Arthemisiam: Ipsichrateam [sic]: Argia[m] q[uae] caste fue[re] q[uae] maritos dilex[er]unt potiat i[n] hoc t[ri]umpho De istis Valerius);
 
 

 

Other contents:
 
fols. 1r[=fol. 1]- 43v[=fol. 86]: several poetical works in Latin and Italian, including: Francesco Motensio’s Carmina et epigrammata (over fourty poems) and his carmen in elegiac couplets ‘In diue Marie’, Italian poem in ottave by anonymous author (‘Felice chi trouato ha un bon amico’), Antonio Brocardo’s carmen in praise of St. Nicholas (‘Diue tuum repetit templum studiosa juuentus’), Filippo Muronovo’s carmina (9 poems), and Raffaele Zovenzonio’s religious carmina (over 10 poems); and Latin orations, including: an oration to Lionello Chieregato (‘Ad Lionellum Chieregatum ad Concord[ien]sem Eccl[es]iam translatum oratio’), and two others in praise of new priests (‘Pro nouo saerdote sermo’). For a detailed list, see Bampo-Bailo 1876-1880, I, 4.
 
fols. 50r[=fol. 99]-51r[=fol. 101]: Italian poem in terza rima by anonymous author (<inc> A che tanta aroga[n]tia ach[e] tantira | tanta sup[er]bia ate no[n] se conuiene; <exp> edatua belta meno ladispe[n]si | pensando ch[e] ciascu[n] biasma sup[er]bia);
 
fol. 51v[=fol. 102]: blank;
 
fols. 52r[=fol. 103]-53v[=fol. 106]: Italian poem by anonymous author (<inc> Ben faremo e uole[n]tiera | doue siam nha rico[n]duto; <exp> ad ogni sapie da i[n] me[n]sa | ma prechiamo sie p[ro]pe[n]sa).

Material Copy

Location

Biblioteca Comunale
Treviso
Italy

Shelfmark
52
Copy seen by
Giacomo
Comiati
Notes

The commentary on Triumphus Pudicitie, Mortis Ia, and Mortis I mainly gives a literal paraphrase of the lines of the capitoli, offering basic textual explanations, as well as content-related and lexical clarifications.
 
In the margins of the commentary, scattered annotations by the same hand point out the passages of the Triumphi referred to in the prose text.
 
Fol. 44r[=fol. 87] is severely damaged and broken. Some fols. – before fol. 44 – (possibly, with the first part of the commentary focusing on Triumphus Amoris I-IV) are lost. Fol. 47[=fols. 93-94] was wrongly bound after fol. 48[=fols. 95-96].

Bibliography

Bampo-Bailo 1876-1880, I, 13-14