[RVF and Triumphi – with annotations and index]

261x179 mm, I + 179 + I fols.

parchment; two scripts: humanistic script that pens main text and annotations and a later cursive hand that pens most other parts; Petrarch’s poems with one verse per line with annotations distributed in single column on right; two architectural frames; decorated letters.

<inc> Apiei decolli oue labella uesta (fol. 2v)

fols. 2v-7r: alphabetical index of the first lines of RVF poems with metre specified (under each letter of the alphabet, poems are listed in order of appearance);
 
fols. 8r-105r: RVF 1-263 with annotations;
 
fols. 105v-143v: RVF 264-366 with annotations;
 
fol. 143v: colophon: Amen;
 
fols. 144r-177v: Triumphi with annotations (order: Amoris I, Amoris III, Amoris IV, Amoris II, Pudicitie, Mortis Ia + Mortis I.4-172, Mortis II, Fame Ia, Fame II, Fame III.1-120, Temporis, Eternitatis);
 
fol. 177v: colophon: Deo gratias. amen;
 
followed by a note of possession: Iste liber est mei ALBERTI depijs que scripsi [—] demense augusti millesimo quadrigentesimo decimo ottavo et complevi i[n] millesimo quad[—]tesimo decimo nono anno demese ma[—]iy’;
 
Other contents:
 
fol. 1v: sonnet by anonymous author (‘Solea per tempo piu ne[—] primi anni’) followed by a barely legible love poem and by scattered words penned by a later hand;
 
fol. 2r: sonnet by anonymous author dedicated to Paola Barro (‘DIVA[E] PAVLA[E] BARVS DIVA[E] PAVLA[E] BARRVS’, <inc> Quando io comando alla mia man che scriue) penned out by a later hand followed by a colophon by the main hand: Este liber est comune per ili qui p[†]atunarus est hic FINES Manu mea [†]S);
 
fol. 7v: sonnet by anonymous author (‘Luce del cielo Radiante et bella’) followed by dedication to Lucia from Ferrara: ‘Actum p[er] domina Lucia ferrariensi diua pudica q[uae] decora denique omnium mulier[um]’ penned by the main copyist;
 
fol. 178r: sonnet by anonymous author (‘Non ti sdegnar Lector s’io son scorecto’) penned by another hand;
 
fol. 178v: sonnet attributed to Petrucci (by another hand) and sent to Antonio (‘sonecto mandato a mess[er] antonio da [—] \ petruccii \ nel tempo ch[e] la sua mano [—] pericolo di morte’) followed by sonnet by anonymous author (‘In qual parte drizar mei passi omai’);
 
fol. 179r: three scattered Latin maxims on time followed by a sonnet attributed to Carlo Nuvoloni (‘Carolus de nuuolonibus p[er] diua R[—]’; <inc> Per che lontan da uoi madonna sia’).