[RVF and Triumphi – with annotations and index]

23x155 mm; I + 143 + I fols.

paper (except fols. 1, 2, 142, and 143 in parchment); humanistic script; Petrarch’s poems with one verse per line, with annotations irregularly distributed on the sides, and prose text; decorated initials and some small pen drawings.

<inc> Franc[isci] Petrarcae Poetae Lepidissimi Carmen Rithimonos Elegicum in Lauram Amicam Feliciter Incipit

fols. 1r-60r: RVF 1-154, 163-189.1-3, 233.12-14, 234-246.1-2, 207.19-98, 208.1, 246.3-263 [for a more detailed list, see Dutschke 1986, 122] with annotations (‘Franc[isci] Petrarcae Poetae Lepidissimi Carmen Rithimonos Elegicum in Lauram Amicam Feliciter Incipit’);
 
fols. 60r-90v: RVF 264-366 with annotations (‘Post Mortem D[ominae] L[aurae]’);
 
fol. 90v: colophon: Amen;
 
fols. 90v-92r: RVF 155-162 (not copied before);
 
fol. 92r: colophon: finis;
 
fol. 92v: blank;
 
fols. 93r-119r: Triumphi (‘Franc[isci] Petrarcae poetae lepidissimi triumphi Vi incipiunt et primo primum quod de amore inscribitur’, order: Amoris I, Amoris III, Amoris IV, Amoris II, Pudicitie, Mortis Ia.1-21+Mortis I.4-172, Mortis II, Fame Ia, Fame I, Fame II, Fame III, Temporis, Eternitatis);
 
fol. 119r: colophon: finis;
 
fols. 119v-123v: poems by various authors (Cino da Pistoia’s sonnets ‘Era gia lhora che ladolce stella’, ‘Concio sia cosa chal mio nascimento’, and ‘Io maladico eldi chio uidj inp[ri]ma’; Giovanni Boccaccio’s sonnet ‘El folgor de begliocchi ch[e] mauampa’; Cino da Pistoia’s sonnets ‘Non uaccorgete uoi dun che simore’ and ‘Liatti uostri elbel diporto’; Muzio Stramazzo da Perugia’s sonnet ‘La santa fama della qual son priue’; Cino da Pistoia’s sonnet ‘Cercando di trouare Minerva i[n]noro; Dante’s sonnet ‘Degno da uoi trouare ogni thesoro’ and canzone ‘Cossi nel mio parlar uoglio essere aspro’; Jacopo de’ Caratori da Imola’s [actually Antonio da Ferrara’s] sonnet ‘O nouela Tarpea in cuj sasconde’ and Petrarch’s reply per le rime ‘Ingnegno [sic] usato alle q[ue]stion p[ro]fonde’; Dante’s sonnet ‘Io micredea del tutto esser partito’; Cino da Pistoia’s sonnet ‘Poi chio fuj dantj del natio mio sito’; Tome de [—] [i.e. Tommaso da Messina]’s sonnet ‘Misser francesco si come ognun dice’ and Petrarch’s answer per le rime ‘El mio desire ha si ferma radice’; Dante’s sonnets ‘Per quella uia che la belleza corre’, ‘Negliochi porta la mia don[n]a amore’ and ‘Tanto e gentile e tanto honesta pare’, and the first six lines of ‘Era uenuta nella mente mia’);
 
fols. 124r-131v: RVF 205.1-14, 206-207.1-18, 189.4-14, 190-205.1-11, 217.6-14, 218-233.1-11, 213.9-14, 214-217.1-5;
 
fols. 132r-133v: some poems by Dante (the last eight lines of Dante’s sonnet ‘Era uenuta nella mente mia’; Dante’s sonnets ‘Uedendo gliochi mei quanta pietate’, ‘Amore e cor gentile e una cosa’, and ‘Molti uolendo dir che fusse amore’, anonymous [actually Cavalcanti’s] canzone ‘Donna miprega p[er] chio uoglio dire’);
 
fols. 134r-136r: blank;
 
fol. 136v: Sallust’s Bellum Iugurtinum 10.3-6 (‘Salustius bello Jugurte regis Numidarum’, <inc> Nunc quoniam mihi Natura finem; <exp> discordia uero maxime dilabuntur);
 
fols. 137r-141v: alphabetical index of the first lines of RVF poems (under each letter of the alphabet, poems are listed in order of appearance);
 
fol. 142r: Petrarch’s note on Laura by a different hand (<inc> Laura propriis uirtutibus illustris & meis longum celebrata carminibus; <exp> inspectatos exitus acriter ac viriliter cogitanti);
 
fols. 142v-143r: Lucretius’s De Rerum Natura II.978-1021;
 
fol. 143r-143v: Virgil’s Aeneid VIII.410-459 by a different hand.