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[RVF and Triumphi – with index]

Overview

Current Location

Biblioteca Nazionale Centrale
Florence
Italy

Shelfmark
Magl. VII. 842
Creator
Date
fifteenth century
Mode of exegesis
Related to Petrarch's

RVF, Triumphi

Description

Physical Description: Format

140x84 mm; I + 81 + 181 + I fols.

Physical Description: Textblock

parchment; round humanistic script; Petrarch’s poems with one verse per line; one rectangular-box illumination, one architectural frame, historiated and decorated initials.

Visual Elements
Title Page

Tavola de’ Capoversi

Internal Description

fols. 11r-71v: alphabetical index of the first lines of RVF poems (under each letter of the alphabet, poems are listed in order of appearance) (‘Tavola de’ Capoversi’);
 
fols. 71v-81r: index of the first lines of the capitoli of the Triumphi in order of appearance;
 
fol. 81v: blank;
 
fol. 1r: rectangular-box illumination representing a blindfolded cupid standing on a small boat in the middle of a lake; cupid is represented holding a rope tied to a woman – on the shore – who is about to cut the rope with a sword;
 
fols. 1r-141v: RVF;
 
fol. 141v: colophon: Francisci Petrarce poete excellentis[simi] carminum amorum finis;
 
fol. 142r-142v: blank;
 
fols. 143-181r: Triumphi (except Triumphus Amoris I.1-47) (order: Amoris I.48-160, Amoris III, Amoris II, Amoris IV, Pudicitie, Mortis Ia, Mortis I, Mortis II, Fame Ia, Fame I, Fame II, Fame III, Temporis, Eternitatis);
 
fol. 181r: colophon: Francisci Petrarce poetae excellentissimi triumphus VII & ultimus de eternitate expliciunt [sic];
 
fol. 181v: a few scattered words.

Material Copy

Location

Biblioteca Nazionale Centrale
Florence
Italy

Shelfmark
Magl. VII. 842
Copy seen by
Giacomo
Comiati
Notes

Scattered marginal annotations by the same hand provide variant readings.
 
Historiated initial for RVF 1 showing a profile portrait of a laurel-crowned poet (fol. 1r); up to RVF 57, before every poem there is a running header in black ink by a later hand; decorated initials in gold for the beginning of each Triumphus and each subsequent capitolo; at fol. 1r is an architectural frame with Roman decorative architectural elements, cupids, and medallions (within which are represented the portrait of a man, a man sleeping under a tree, and three stakes on which some arrows are burnt, respectively).
 
Presumably, a now-lost fol. 142 with the beginning of Triumphus Amoris I was substituted by actual fol. 142 (blank).

Bibliography

CPR, 58-59; Mazzatinti, XIII, 178