[RVF and Triumphi – with index]

264x167 mm; I + 187 fols.

parchment; humanistic script; Petrarch’s poems with one verse per line; two rectangular-box illuminations, two architectural frames, historiated and decorated initials.

<inc> Repertorium o[mn]ium Petrarce Son[n]ector[um] et ca[n]t[i]l[enarum]

fols. 1r-7r: alphabetical index of the first lines of RVF poems (under each letter of the alphabet, poems are listed in order of appearance) (‘Repertorium o[mn]ium Petrarce Son[n]ector[um] et ca[n]t[i]l[enarum]’);
 
fols. 7v-8v: blank;
 
fol. 9r: title (‘Francisci Petrarce poetae clarissimi sonector[um] et cantilenarum liber foliciter [sic] incipit’), followed by a rectangular-box illumination (with Apollo chasing Daphne);
 
fols. 9r-147v: RVF and some disperse (the final poem, i.e. RVF 366, is indicated as poem 405);
 
fol. 147v: colophon: Difrancescho Petrarcha Poeta Clar[issi]mo finiscono litriumphi [sic] Canzone & Sonecti: M^o CCCC^o LXVIII adi .XXIII. diseptembre furono scripti & forniti per mano Dantonio difrancescho di Sinibaldo Ritagliatore;
 
fol. 148r-148v: blank;
 
fol. 149r: title (‘Francisci Petrarce poete clarissimi triumphorum liber primus i[n]cipit’), followed by a rectangular-box illumination of Triumphus Amoris;
 
fols. 149r-186v: Triumphi (order: Amoris I, Amoris III, Amoris IV, Amoris II, Pudicitie, Mortis I, Mortis II, Fame Ia, Fame I, Fame II, Fame III, Temporis, Eternitatis);
 
fol. 186v: colophon: Francisci Petrarche Triumphorum liber explicit;
 
fol. 187r-187v: four anonymous sonnets by a different hand (‘Quando mi uien in mente el tempo el giorno’, ‘Soleui gia nel tempo che piu uerde’, ‘Crudel iniqua et scelerata mano’, and ‘Tempo e ben da offerir gia le arme al tempio’).