[RVF and Triumphi – with index]

312x226 mm; II + 96 fols.

parchment; semi-gothic hand; RVF poems with two verses per line, Triumphi with one verse per line; one architectural frame, historiated and decorated initials.

<inc> Uoichascoltate inrime sparse ilsono (fol. 1r)

fol. Ir: scattered words by a later hand;
 
fol. Iv: a paragraph on the Triumphi by a different sixteenth-century hand (<inc> La intentione delauctore circha lamateria deli triumphi sie de exalter madona Laura q[uan]to dalauertu de la castitade. Ep[er] tanto lo primo triumpho dice ch[e] lamore uince ogno huomo et 2° triumpho si dice ch[e] madona Laura uinse lamore; <exp> el 5^to del tempo elq[u]al p[er] longeza obscura la fama. El ses[t]^o sie ch[e] auegna ch[e] tempo labia obscurata el uidicio [sic];
 
fol. IIr: four lines by a different later hand (<inc> Se tutj j mej prjmj anj aparte aparte);
 
fol. IIv: partial index of the first lines of RVF sonnets in order of appearance (‘Tabula de soneti’);
 
fols. 1r-74r: RVF and some disperse [and some sonnets attributed to Petrarch] (the final poem, i.e. the sonnet ‘Un clima un zudiago un orizone’, which comes after RVF 366, is n. 413 [numbers are added by a modern hand]);
 
fol. 74v: blank;
 
fols. 75r-96v: Triumphi (order: Mortis II, Fame Ia, Amoris II, Amoris I, Amoris III, Amoris IV, Pudicitie, Mortis I, Fame I, Fame II, Fame III, Temporis, Eternitatis.1-42).